"The Plan" is a "Battlestar Galactica" TV movie that tells the story of the destruction of the human civilization from the point of view of the destroyers themselves, the Cylons.
That means the machinations of John Cavil (Dean Stockwell) are front and center. He was an active Cylon instigator on the Galactica and it's only during "The Plan" that we find out how active.
His best line: "Let's get this genocide started." Heh.
Six (Tricia Helfer) is here as well, two or three versions of her in fact.
Some of the key moments from the BSG series retold here from the point of view of the Cylons: the assassination attempt of (Edward James Olmos) by Sharon Valerii (Grace Park), how Leoben (Callum Keith Rennie) became fascinated by Starbuck (Katee Sackhoff) and how the rebels on Caprica kept the Cylons on their metallic toes.
If you've never seen BSG, "The Plan" is pretty much a waste of time. It's too much of an inside the airlock tale for an outsider to enjoy but that doesn't mean a diehard sci-fi fan wouldn't appreciate the stellar BSG effects and set design.
I also wish the movie was less disjointed. Cavil is supposed to be the glue that holds it all together, but a little Cavil goes a long way and sometimes there's just a bit too much Cavil. For example the scenes where he's talking to another version of himself are interminable.
Don't expect to see much of Commander Adama, Lee Adama, Saul Tigh or Gaius Baltar in this one. They're just supporting players in this version of the deadly chess game the Cylons set in motion that fateful day the colonies were attacked.
The music by Bear McCreary is especially important for tying the scenes together and conveying the life and death urgency just like in the BSG series.
"The Plan" was directed by Edward James Olmos, Admiral Adama himself and airs tonight on the SyFy Channel at 9/8c.
"Avatar:" Simple Entertainment or Destructive Stereotypes?
It's gotten nine Oscar nominations and is destined to take home at least a couple, but how good is "Avatar?" Here's my review.
Some have called director James Cameron's "Avatar" a visually stunning film that's not to be taken more seriously than an afternoon's entertainment at your local multiplex. Others have called it another in a long line of films illustrating Hollywood's racial insensitivity.
Which is it? I'll get back to that.
First let me tell you what "Avatar" is all about. Set on the futuristic planet of Pandora, "Avatar" is about a native people, the Na'vi whose planet is being exploited for a valuable natural mineral, unobtanium, by a colony of money grubbing humans. The humans, who include a non-money grubbing staff of scientists are trying to negotiate mining rights to the unobtanium, but if that doesn't work, they're not above taking it by force.
Sigourney Weaver is Dr. Grace Augustine, the head of a science team who've developed a way for humans to become one of the Na'vi using computers and a home grown Na'vi body. Or something like that.
The scientists do it to learn. The military do it to "win the hearts and minds" of the Na'vi and get their unobtanium without a fight.
Sam Worthington plays Jake Sully, a paraplegic Marine who becomes part of the experiment when his brother who was scheduled for the program is killed. As Jake becomes accustomed to the nine foot, blue bodies of the Na'vi, he becomes enamored with the Na'vi people, their spiritual connections, culture and traditions.
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